Learning to Live Finally: The Last Interview

Learning to Live Finally: The Last Interview

Jacques Derrida

Language: English

Pages: 96

ISBN: 1612190944

Format: PDF / Kindle (mobi) / ePub


With death looming, Jacques Derrida, the world's most famous philosopher, known as the father of "deconstruction," sat down with journalist Jean Birnbaum of the French daily Le Monde. They revisited his life's work and his impending death in a long, surprisingly accessible, and moving final interview.

Sometimes called "obscure" and branded "abstruse" by his critics, the Derrida found in this book is open and engaging, reflecting on a long career challenging important tenets of European philosophy from Plato to Marx.

The contemporary meaning of Derrida's work is also examined, including a discussion of his many political activities. But, as Derrida says, "To philosophize is to learn to die"; as such, this philosophical discussion turns to the realities of his imminent death--including life with a fatal cancer. In the end, this interview remains a touching final look at a long and distinguished career.

 

 

 

 

 

 

 

 

 

 

 

(1976): 64-116. “From Restricted to General Economy: A Hegelianism without Reserves.” Semiotext(e) 2.2 (1976): 25-55. Of Grammatology. Baltimore: Johns Hopkins University Press, 1976. “The Question of Style.” The New Nietzsche: Contemporary Styles of Interpretation. Ed. David B Allison. New York: Delta 1977, 176-189. “Signature Event Context.” Glyph I (1977): 172-97. “The Purveyor of Truth.” Yale French Studies 52 (1977): 31-115. “Becoming Woman.” Semiotext(e) 3.1 (1978): 128-137. “Coming

to Colleagues, May 18, 1982.” Sub-Stance 35 (1982): 2 & 80-81. “Letter to John P. Leavey, Jr.” Semeia 23 (1982): 61-62. “The Linguistic Circle of Geneva.” Critical Inquiry 8 (1982): 675-691. Margins of Philosophy. Brighton: Harvester Press; Chicago: University of Chicago Press, 1982. “Sending: On Representation.” Social Research 49.2 (1982): 294-326. “Critical Relation: Peter Szondi”s Studies on Célan.” Boundary 2 11.3 (1983): 155-167. “Excuse me, but I never said exactly so: Yet Another

public scene. You have not only published many new works but have traveled around the world to participate in several international conferences organized around your work—in London, in Coimbra, here in Paris, and, in the coming days, in Rio de Janeiro. A second film has been made about you (Derrida by Amy Kofman and Kirby Dirk, after Safaa Fathy’s very beautiful 2000 film, Derrida’s Elsewhere), and several publications have devoted special issues to your work, including Le magazine littéraire,

not: those who came from metropolitan France were nonetheless foreigners—oppressors and standardizers, normalizers and moralizers. They provided a model, a uniform and a uniformity, a habitus, and one had to conform to it. But at the same time we made fun of the French from France. When a teacher arrived from the Métropolewith his French accent we found him ridiculous!18 That’s where the hyperbolization comes in: I have only one language, and, at the same time, in an at once singular and

there but the hour of the Kaddish seemed far away. No one, at least, could really imagine it. After many hesitations, at the moment of beginning our conversation, of posing a first question, it was almost exactly the same words, the same italics, that imposed themselves upon us: “Someone, you or me, comes forward and says: I would like to learn to live finally.”5 Everything began there, everything being contained there in reserve, in this enigmatic formula that gave the interview its initial

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